Even prior to Indiana’s
admission to the Union in 1816, a light-colored, fine-grained native
stone had been used by pioneer settlers for cabin
foundations, door sills, milling burrs, and memorials. The stone was
quarried with use of long star drills and wedges to separate blocks from
the main deposit. The first organized quarrying effort of record was
established in 1827 in southern Indiana near Stinesville.
Concurrent with the arrival of both North-South and East-West railroads
into southern Indiana in the mid 19th century, the market for Indiana
Limestone responded to architectural demand for stone of a light-neutral
color to complement the various Revival styles of the era. The railroads
themselves required stone for bridge piers and for the increasingly grandiose
terminals in the growing cities.
During this period, gang saws were introduced to replace the two-man
crosscut saws previously used to saw block stone into slabs; the introduction
of the channeling machine to the quarrying operation enabled the infant
industry to double and triple production in succeeding years.
Extensive fires in the cities
of Chicago(1871) and Boston (1872) added to Indiana Limestone’s
demand. It was apparent that of all of the commonly used materials,
masonry showed the lease fire damage, and limestone
least of all.
Indiana stonework won awards of merit for quality at both the Philadelphia
and New Orleans Centennial Expositions of 1876. Contracts for Indiana
Limestone in two major public buildings in that decade, the Indiana Statehouse
and the Chicago City Hall, established its reputation of superior weather
resistance, ease of shaping, consistent quality, boundless supply and
good public and architectural acceptance.
In the final decades of the 19th century, Indiana Limestone was chosen
for an increasing number of city halls, statehouses and federal office
buildings. To meet the demand for stone, the number of quarries doubled
between the years of 1889 and 1895; stone fabrication shops in the southern
Indiana production district doubled as well, although in this era most
of the work was finished in local shops in destination cities. Banking
houses, retail stores, hospitals, private residences, churches and office
buildings, many built in the eclectic styles of the day, all demanded
increasing amounts of the fine grained, light-colored stone. The Cotton
Exchange Building in New Orleans was the first major project in which
limestone was shipped from Indiana cut ready to set. In the mid-1890's,
George W. Vanderbilt set up a complete cut stone mill to fabricate Indiana
Limestone for the Biltmore, his summer retreat in Asheville, North Carolina.
The quarry in which the blocks were produced is still operating.
Limestone use continued to
increase through the 1920s, and even into the depression of 1929-39.
During this period, great technical advances
were made in quarrying and fabrication techniques enabling Indiana Limestone
to hold its competitive edge over the newer man-made products which were
appearing on the market. During this era, the age of the "skyscraper," knowledge
about large buildings and their reaction to wind, thermal expansion and
settlement brought about new construction techniques. Although these
methods opened new markets for competitive materials as well, Indiana
Limestone usage continued to increase, or decreased at a lesser rate
than that of more expensive and less durable materials in the depression
period.
During this time, the Empire State Building, the Department of Commerce,
and The Tribune Tower as well as many other major buildings were constructed
of Indiana Limestone. Private owners, developers and government at all
levels used limestone; their architects designed the material to fit
the changing styles of the Art Deco period, and limestone producers developed
machines which provided the new surface textures required. World War
II effectively halted all construction not required for the war effort.
In 1945, limestone production resumed with much of its previous vigor.
The Indiana Limestone Industry
was able to weather the changes in its sales patterns forced by the
international styles of architecture during
the period between 1950 and the oil embargo of 1973, in which building
products demanding huge amounts of energy to produce and use were extensively
used. The world realized that fossil fuels are limited, and the value
of Indiana Limestone as an efficient, low energy demand product was perceived
by architects and their clients alike. Although the energy crunch of
the late 1970s lost its crisis proportions during succeeding decades,
the International Style of architecture had received a death blow. Eclectic
new styles, known in general as Post-Modern, governed the design of buildings,
and interest in stone and stone looks increased. Post-Modernism, welcomed
stone, and its qualities of durability, beauty and designability, plus
good thermal performance when properly used, made Indiana Limestone once
again the material of choice. Indiana Limestone quarriers and fabricators
developed new machines and methods to increase productivity; sales increased
in dollars and in cubic feet, and the industry prepared to enter the
21st century with renewed vigor and enthusiasm.
*The use of this information has been authorized
by the *Indiana
Limestone Institute of America, Inc.©
Jim Owens
Executive Director
400 Stone City Bank Bldg.
Bedford, Indiana 47421
Phone: 812-275-4426
FAX: 812-279-8682